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    http://www.restoretherepublicradio.com/?page=home.aspx Martin Luther King Jr., John F. Kennedy, and Dr. Ron Paul talkin
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    Pleaidian Beamships : Sound and Photos

    UFO Sound Recordings
    Semjase’s Beamship During a Demonstration Flight
    Another sound analysis that was filmed with professional cameras on highgrade
    16 mm film was performed in the Excalibur Studios in Studio City,
    California. There, Nils Rognerud and Steve Singer, sound engineers and
    designers of electronic systems, worked on a Hewlett Packard spectrum
    analyzer (Model 3580) that contained a memory unit, a dual-channel
    oscilloscope, a multi-track mixer with amplitude output, and a full-frequency
    sound-control panel; they studied and analyzed a 30-second segment of the
    aforementioned sounds and a longer segment of the spaceship sounds that
    were recorded in front of fifteen witnesses.
    This tape recording was made on July 7, 1980, in Ober-Sädelegg,
    Switzerland. There, the sounds of the new Variant III ship were recorded for
    forty-eight minutes in front of fifteen witnesses with a total of four cassette
    recorders. Meier had three recorders with him: an Aiwa with an audio
    suppression unit, in order to prevent distortions of the excessive decibels by
    means of limiting, as well as two smaller and cheaper portable cassette
    recorders without volume suppression. Meier positioned himself
    approximately sixty to eighty meters below the point from which the sounds
    in the sky appeared to come.
    Meier’s wife Kalliope used her own Aiwa recorder. She and Jacobus
    Bertschinger, Engelbert and Maria Wächter, Eva Bieri, and two of Meier’s
    children remained approximately 488 yards west of the position taken by
    Meier, who had gone to a point on the other side of a group of tree trunks
    that can be seen on the first of the Ober-Sädelegg photographs taken on
    March 8, 1975.
    On this day, the sounds were so loud that two members of the D. family,
    who lived a half-mile away, ran out to see what was causing all of the noise.
    They came just in time to observe the final minutes of the recording
    operation. Several inhabitants of the small hamlet of Zinggen,
    approximately three kilometers away, ran up the mountain in search of the
    source of the strange noise, which had been heard by many of the
    inhabitants. The sounds stopped when the new arrivals appeared on the
    scene.
    From Meier’s position, the noise was a deafening screeching sound that was
    so loud that Meier had to lay the recorder on the ground so that he could
    wrap his jacket around his head. Even after doing so, he had an excruciating
    headache that lasted for hours. Until the next day, he was unable to hear
    anything and his eyes hurt. The recordings made by Ms. Meier from a halfkilometer
    away were clearer than the tape that Meier had made at close
    range. The distance was so great that we could not understand each other at
    the scene, even when we yelled; therefore, we had to send runners back and
    forth.
    Now, the sound specialists examined this new segment of the recorded
    sounds and found the same as the previous teams. They found these sounds
    to be truly unique in three respects:
    1. There were at least thirty or more discrete frequencies in a random and
    constantly shifting mix that ranged from 4 to 2170 Hz, but varied on average
    between 470 and 1452 Hz.
    2. The amplitude of these frequencies was also constantly changing,
    whereby the dominance alternated.
    3. The wave shape was also constantly changing in a random, periodic
    rhythm that caused a characteristic beat. The wave pattern in the
    oscilloscope showed this constant and random shift in frequency, in which
    the principal waves of all frequencies came together in perfect
    synchronization at one moment, only to travel at the next moment in
    different directions and stages, thereby generating different patterns—at one
    moment seemingly moving in a cluster in one direction and, at the next
    moment, in the other direction. Then they gradually expanded until, for one
    moment, they formed a mutually precise and evenly distributed pattern, only
    then to move again into different relationships. Although these changes
    appeared to be random and were not repeated in a particular order, they
    always appeared in geometric relationship to one another.
    Two other sound engineers and a synthesizer sound specialist joined the
    analysis team, and the sounds were reexamined, this time for possible
    duplication. All of these specialists agreed that the character of the sounds
    was unique and that any type of synthesis, if in fact such was possible, could
    produce only portions of the recordings we had examined and that
    duplicating only part of the sounds, even in a short linear segment, would be
    impossible. The number of traveling and constantly shifting discrete
    frequencies and constantly changing amplitudes, which were shifting in
    relative dominance, exhibited duplication problems that exceed the abilities
    of a current state-of-the-art device!”
    Sources: Lt. Col. Wendelle C. Stevens: “UFO contact from the Pleiades, A
    Preliminary Investigation Report”; “A Supplementary Investigation
    Report”; Ing. Alfred Buberl: “Worauf warten wir noch?” (What Are We
    Waiting For?)
    Sound Analysis
    The strange whirring sounds of the Pleiadian-Plejaren spaceships could be
    recorded several times on tape, for example, twice during the spring of 1976
    (at the Frecht Nature Preserve near Hinwil on Good Friday and at
    Schmärbüel-Maiwinkel on April 14th), and, finally, on July 7, 1980, in
    Ober-Sädelegg near Schmidrüti (a copy of this recording can be purchased
    as an audiocassette from FIGU). Regarding the first recording, Wendelle C.
    Stevens writes: “As they (Eduard Meier and a few eyewitnesses) arrived at
    the aforementioned location, they all waited for more than an hour. Then
    Meier walked alone approximately one hundred meters into the meadow
    clearing. There he stopped, positioned his tape recorder, turned it on, and
    held the microphone up in the air. According to Hans Schutzbach, a strange
    whirring, buzzing noise, which was constantly changing, sounded from
    approximately thirty meters above them. The noise was a kind of mixture
    between a jet engine and a high-speed saw processing a piece of metal in
    many variations. The noise increased and decreased in intensity and pitch,
    apparently in a random sequence, and sometimes, it completely died away,
    only then to return to its full intensity. . . . The tones clearly reached the
    witnesses in spite of the wind. The noise lasted approximately ten minutes,
    and then it stopped when intruders arrived on the scene in a VW ‘Beatle’.
    Its two passengers looked at Meier with great interest. One looked through a
    pair of binoculars. A moment later, another man came along, accompanied
    by a German Shepherd on a leash. Two motorcycles approached from a
    different direction. Everyone was interested in the clearing where Meier
    stood and above which the very loud noise could be heard. It turned out that
    the two men in the Volkswagen were forestry workers. The man with the
    dog was a plain-clothes cantonal policeman. The arrival of the others was
    surprising, since no one else had been present when the group (i.e., Billy’s
    companions) arrived.
    Normally, Meier does not hear such loud ship noises, certainly not for such a
    long time. At the most, there is usually a very short noise when the
    spaceship lands or takes off. This demonstration was intentionally given for
    the purpose of the tape recording.
    None of the other eyewitnesses saw any type of spaceship, but Meier said
    that he could see it from below and observe a strange effect. As the sound
    went up on the scale, the ship became more transparent, and when the pitch
    became lower, it looked denser again.
    Since they themselves had not seen the ship, the witnesses began to discuss
    the incident and speculate upon how this could have happened. They took
    Meier’s tape recorder, along with the tape, back to the same location and
    positioned it in the same manner as Meier had done. Then, they adjusted it
    to full volume. This time, the sound seemed to come from ground level and
    was quite soft. It was certainly coming from the loud speaker of the
    recorder. The sound was so weak that, in order to hear the sound at almost
    the same volume, the witnesses were forced to stand more than twice as
    close to the device as they had on Good Friday. They looked for signs of
    loud speakers that could have been hung in the trees, but they found nothing.
    On April 14, 1976, Eduard Meier was contacted by his extraterrestrial
    visitors, summoned to a particular location, and asked to bring his camera
    and tape recorder. He followed their telepathic directives and reached the
    area of Schmärbüel und Maiwinkel, south of Bettswil.
    He did not have to wait very long—due to a Swiss Army military exercise in
    the area, he was late in arriving–and already heard the familiar spaceship
    sounds. Searching the horizon, he spotted the extraterrestrial ship, a 7-meter
    Variation 111 Version flying northwest inside the hillcrest. Shortly
    thereafter, he heard the sounds of a jet fighter. He took out his camera and
    shot pictures of the approaching spaceship. Then he saw the jet fighter, a
    Mirage 111 of the Swiss Army, heading straight for the Pleiadian ship. He
    turned on the tape recorder and continued to take pictures of the attempted
    interception. As the jet fighter approached the round ET ship, the spacecraft
    quickly ‘shot’ up, allowed the jet fighter to pass, and then returned to its
    original position. This maneuvering continued in this manner for twentytwo
    passes by the jet fighter. During this time, Meier took fourteen pictures
    of the ET ship, ten of which included the jet fighter. The first picture of this
    series was taken at 4:14 p.m. and the last, at 4:24 p.m. He recorded a little
    more than six minutes of this skirmish.
    Jim Dilettoso, our research consultant, took samples of this noise to Peter
    Gimer and Rick Coupland of Micor in San Francisco. There they performed
    tests in the audible range, from 20 Hz to 2000 HZ. They found twenty-four
    characteristic frequencies within the audible range and eight outside of it.
    They found all thirty-two frequencies concurrently at different amplitudes
    and volumes. All thirty-two tones are somehow produced simultaneously.
    In a time matrix, the amplitude of some frequencies increases, while that of
    others decreases. It was observed that the amplitude periodically increased
    by ca. fifty decibels and then decreased by ca. forty, and at other times, just
    the opposite was the case, which produced the characteristic beat that was
    audible. Other normal sounds were audible on the recording, but there were
    no signs of a tone-on-tone tape dubbing. All frequencies were clear and
    stable, and they were regularly lined up along the frequency scale.
    A portion of these recordings was also given to Robin L. Shellman, an
    undersea sound technician, who studied them with a spectrum analyzer (a
    state-of-the-art device) built by Spectro Dynamics in San Diego. The
    demodulation showed that one must be dealing with a rotating
    device—249.6 U/min. modulated at 4.16 Hz.
    The high-speed device produced a sound that began at 520 Hz and increased
    in steps up to 990 Hz, only then to decrease again down to 520 Hz in the
    same frequency steps. The tonal groups comprising 520 Hz disappeared
    together at 520 Hz and reappeared at 600 Hz, only to disappear again at 720
    Hz. At 990 Hz, however, they reappeared and were very strong. The same
    occurred in the other direction. The condition remained stable for a moment
    and then shifted again. This shift was somehow random, but nevertheless
    constant. At certain times, the high-speed device was still, and a deep,
    throbbing beat was audible; and then the high-speed rotation began again,
    and the sound increased rapidly to a high vibrating crescendo in the upper
    50,000 U/min. range or higher. Simultaneously, the slower 249.6 U/min.-
    rotation again became audible. The vibration was produced by the highspeed
    rotation of approximately 29,000 U/min., which accelerated to over
    59,000 U/min. This was most certainly not a normal sound!
    These sounds were brought to the Naval Undersea Sound Center in Groton,
    Connecticut, where Steven Williams and Howard Ilson–both from
    NU.S.C–used different equipment to obtain visual data representations.
    Initially, they identified all sounds that did not originate in the target object.
    Three conventional airplanes were discovered, two of which were propellerdriven.
    The third was a single-engine jet. Frequency graphics were
    prepared, and attempts were made to find consistencies in the ‘sound
    archives’. The first airplane to be identified was a ‘Pilatus Porter’, a light,
    single-motor Swiss Army reconnaissance plane. Its ‘Doppler effect’ showed
    that the plane was flying at approximately forty to fifty knots, which
    corresponded to the actual progression on the tape recorder, but which also
    corresponds to the normal speed of an airplane on a reconnaissance flight.
    The second plane was identified as a Junker JU-52, an old tri-motor
    transport plane that was built in 1933. And again, the frequencies of the
    plane motors exhibited a linear movement, calculated with the Doppler
    shift. This plane moved away, turned slightly, and then flew off on its way
    toward the recording.
    When we listened to the tape ourselves, we never heard these sounds, which
    is why we had to examine this information. One can imagine our surprise
    when we discovered that the Swiss Army Pilatus Porter planes were
    routinely used for reconnaissance flights; and even more astounding was the
    confirmation that the Junker planes, JU-52 Transporters, were still being
    used for skydiving flights and that one had been used on this day in the area
    of Bettswil! All of this fit together perfectly.
    The third plane was a single-motor Mirage jet fighter. With respect to
    conventional plane sounds, no unusual characteristics were determined.
    Furthermore, background noises that were discovered included a small
    barking dog, a crowing rooster, a European police siren, and some clicks and
    vibrations, possibly the clicking of a camera shutter release.
    In this study, no consistency of the targeted sound of the spaceship was
    discovered in the ‘sound archives’.
    .. UFO-Billy Meier Wedding Cake Ship .. UFO-Billy Meier First Meeting with Semjase .. UFO-Pleiadean Wisdom 1 of 2 .. UFO-Pleiadean Wisdom 2 of 2 UFO Mission Pleiades .. The billy meier experience Billy Meier UFO Case .. Contact - Billy Meier Photo Sharing and Video Hosting at Photobucket Photo Sharing and Video Hosting at Photobucket Photo Sharing and Video Hosting at Photobucket Photo Sharing and Video Hosting at Photobucket Photo Sharing and Video Hosting at Photobucket Photo Sharing and Video Hosting at Photobucket Photo Sharing and Video Hosting at Photobucket ..
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Saalome gam naan ben uurda, gan njjber asaala hesporoona! PEACE BE ON EARTH, AND AMONG ALL BEINGS! History of Our Alien Ancestors on Earth An excerpt from a great new documentary about Billy Meier and his contact with our Plejaren cousins SILENT REVOLUTION OF TRUTH ... Order the documentary from http://www.theyfly.com

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