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Hope To Hear Back Soon Honey

Album: Spirituals

Released: Jan 18, 2006

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Hope To Hear Back Soon Honey
5:31
15,710 plays
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Crime In The Pale Moonlight
4:37
18,860 plays
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The Men Who Fell From Earth
3:45
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Options In the Fire
3:30
86 plays

Total Plays: 62,151 / Plays Today: 2See All Featured ►

General Info

Genre: Americana / Live Electronics / Melodramatic Popular Song
Location DE
Profile Views: 86690
Last Login: 4/1/2009
Member Since 1/16/2006
Website www.nonplace.de
Record Label www.nonplace.de
Type of Label Indie
Bio
....................real..editor....best profile tools................real..editor....best profile tools..............
Members
..Burnt Friedman.... & ....Atom™.....
Influences
Rock, World Beat, Jazz, Urban, Sports, Country, Big Band, Emergency, Commercial Nostalgia, Comedy Animation, Sci-Fi, Nature/Cosmos, Body Heat, 70's Disco, Americana, Dixieland, Motivational, Ballroom, Blues, Children, Drama, Epic Themes, Fantasy, Hi-Tech...
Sounds Like
Jazz tipped on its head, taking it to places other producers haven..t dreamt about yet. (DJ 1999).. This is lightyears ahead of what anyone else is doing. (footloose magazine 1999).. No matter what musical style they choose to pursue, it always turns out to be utterly masterly. (Wax 2000).. B.Friedman and U.Schmidt have released records whose obsessive detail, deep thought about sampling, righteous swing and belief that an excess of cheese leads to the palace of wisdom make almost everyone else look 20th century in their music making. (The Wire 2000).. These days you can..t step into a lift without fighting your way through musicians all trying to impress each other with their knowledge of jazz. Yet when Uwe and Burnt get in, the others fall silent. (wallpaper 2000).. Midnight Sound still remains the perfect soundtrack to 21 century horizontal dancing (Jockey Slut 2000).. Bet you didn..t think something this mutated could be this funky (echoes 2001).. Legends in their own circles of work, Bernd Friedmann and Uwe Schmidt have always used the alias to explore the outer limits of their love for jazz. The new album is much tighter in scope, sound, and execution, however Dixieland and the blues are used, abused, and knocked slightly of kilter. The results are subtle yet incredible. See Magazine (2005).. The sombre blues "Funeral March" and the skipping doo-wop "How Long Is The Wrong Way" are two prime examples from another credible and inventive longplayer from these stalwarts of the "leftfield" scene. Impeccable. DJ Mag (2005)..

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Bio:

..realeditorbest profile tools..realeditorbest profile tools

Member Since:

January 16, 2006

Members:

Burnt Friedman.. & Atom™.

Influences:

Rock, World Beat, Jazz, Urban, Sports, Country, Big Band, Emergency, Commercial Nostalgia, Comedy Animation, Sci-Fi, Nature/Cosmos, Body Heat, 70's Disco, Americana, Dixieland, Motivational, Ballroom, Blues, Children, Drama, Epic Themes, Fantasy, Hi-Tech...

Sounds Like:

Jazz tipped on its head, taking it to places other producers haven..t dreamt about yet. (DJ 1999)

This is lightyears ahead of what anyone else is doing. (footloose magazine 1999)

No matter what musical style they choose to pursue, it always turns out to be utterly masterly. (Wax 2000)

B.Friedman and U.Schmidt have released records whose obsessive detail, deep thought about sampling, righteous swing and belief that an excess of cheese leads to the palace of wisdom make almost everyone else look 20th century in their music making. (The Wire 2000)

These days you can..t step into a lift without fighting your way through musicians all trying to impress each other with their knowledge of jazz. Yet when Uwe and Burnt get in, the others fall silent. (wallpaper 2000)

Midnight Sound still remains the perfect soundtrack to 21 century horizontal dancing (Jockey Slut 2000)

Bet you didn..t think something this mutated could be this funky (echoes 2001)

Legends in their own circles of work, Bernd Friedmann and Uwe Schmidt have always used the alias to explore the outer limits of their love for jazz. The new album is much tighter in scope, sound, and execution, however Dixieland and the blues are used, abused, and knocked slightly of kilter. The results are subtle yet incredible. See Magazine (2005)

The sombre blues "Funeral March" and the skipping doo-wop "How Long Is The Wrong Way" are two prime examples from another credible and inventive longplayer from these stalwarts of the "leftfield" scene. Impeccable. DJ Mag (2005)