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  • Snapshot: (Luke Seed-Lee) Siedle

    SNAPSHOTS: LUKE (SEED-LEE) SIEDLE

    As I take the first foamy sip of my cappuccino I'm thinking about Luke Siedle's surname which is pronounced Seed-Lee. The name got me thinking about a certain John 'Johnny Appleseed' Chapmon renowned for wandering around North America in the seventeen hundreds planting apple tree nurseries as he went. He'd return occasionally to collect any money, old clothes or corn as payment for trees purchased. The story is something of a legend that I remember hearing about as a kid. This shoeless, humble man wandering around being kind to people and collecting very little in return somehow built something worth remembering. That's his story and I'm seeing some parallels with him and the world of musicians out there on the road spewing forth their art into a world that sometimes gives very little back. The thing that keeps them going might be the idea that they are building for themselves some kind of legend; that maybe one day they'll be remembered and thought of with the same fondness and affection we reserve for the likes of the Johnny Appleseeds of the world.

    Luke's strolling across the street in my direction now and he's got his own story to tell. Indeed, if his new album titled, "Our Stories" is anything to go by Luke has more than one story to tell. If comparisons must be made then Luke's album is something like a South African Fionn Regan or Bob Dylan. The difference being that Luke has a better voice and is already a far more accomplished guitarist that Bob ever was. This is an intellectual, songwriter's album full of great guitar driven, melodic, soulful stuff.

    Sitting down at the table we exchange greetings and order another cappuccino. I'm trying to play the part of the interviewer and asking Luke a lot of questions. It seems we're both new to this situation but we nevertheless manage to get bite out of an interview-type-thing. On his beginnings Luke shares that he's been playing the guitar since age 14 and had the good fortune to be taught a few things by Durban legend, Guy Buttery. "It was a bit intimidating playing with someone like him but he was always very chilled about it. We'd mostly just share our ideas." On his goals for the future I find we share the dream of doing this 'music thing' for a living. Luke's ambition is to keep challenging himself and not become like so many prolific young songwriters who seem to lose it as they age. When it comes to songwriting we also seem to share the habit of writing words and music at the same time, "It needs to happen all at once. If I force one on the other I usually end up getting rid of it."

    If you can picture a couple of songwriters sitting and chatting over a cappuccino; If you can picture them parting ways and going home to pick up their guitars; If you can picture them feeling a little awkward about their place in an industry that seems to swallow up so many people like them; If you can picture a man walking barefoot across a country planting seeds hoping the sun will shine and the rains will fall; If you can hear a guitar and a warm voice somewhere behind those pictures then you're starting to see this story more clearly. It's not much perhaps but it's a story and it ours so far. As Luke says, "We've got the rest of our lives" to finish this one.

  • Snapshot: Esjay (Jones?)

    SNAPSHOT: ESJAY (JONES?)..:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />

     

    Taking a meanderous route through the winding streets of Westville, past the prison, round the bend and down the lane I arrive at Face Studios to meet up with Esjay, lead singer and front person for the Durban-band Stealing Love Jones. The band has been recording a new album with American producer Bjorn Thorsrud, who's done work with the likes of The Smashing Pumpkins, Shania Twain and The Dandy Worhols, tentatively titled "Bleed To Bloom"  and due for release in South Africa and North America in late September.

    Sitting on my fuzzy, studio stool, I'm doing my best to stay in the background as Esjay does some tra-la-las, warming up in the vocal booth in the background and Bjorn fiddles with buttons and knobs in the control room. "Can, can you here me? Awright, one for level…". Cue music and there's Esjay, suddenly in the zone, feeling her way through "Hospital" Outside in the garage-come-foyer, Jason Every, guitarist for Stealing Love Jones, is napping on the sofa. He's waiting to record the final guitar tracks for the album.  

    "Take a break." Says Bjorn and with that Esjay makes us a cuppa. Two sugars and milk for me. Honey and Jack Daniels for her. "It helps the vocals." She says. Over a steaming cup, Esjay offers a little inside info on the recent Stealing Love Jones tour of North America. "In the first 11 days we did the equivalent of the ..:namespace prefix = st1 ns = "urn:schemas-microsoft-com:office:smarttags" />Durban to Cape Town drive 6 times. We all got a wake-up call over there. We were paying 8 dollars to sleep and shower in truck-stops along the way. Emotionally and physically it was very hard and made us all feel so blessed to have come from a place (South Africa) where we are loved and supported." Jason, still sleepy-eyed on the couch, says they were driving a senior-citizens van and pulling a trailer. He elaborates, surprisingly talkative for having just woken up, "Six hours of driving, an hour to unpack and set up the rig, an hour of sound check and rehearsals, then waiting for 4 or 5 hours for the show. We'd do the gig and then pack up and hit the road again to haul anywhere between six and thirty hours in one go! It was work. Fun, but hard work."

    Esjay, speaking of the album name says, "We've all been through so much. I'm thinking of calling the album "Bleed to Bloom". Taken aback, I confess to Esjay that I think any artist will know exactly what that name means. "Sometimes it's just the vision of so many people believing in you and your dream that keeps you going.", she says.

    I ask Esjay what it's been like returning home. She tells me the pace hasn't eased much. After a quick tour of S.A. with Sarah Bettens (K's Choice) the band hit the studio again. "Bjorn has been working from 7am-7pm for the past three weeks… we've been working until 1am for the past three days to finish vocals and all the quirky stuff. He's leaving in two days so we're pushing to finish the guitars and vocals on the last three songs of the album.  We have a benefit concert in Zimbabwe on the 4th July in support of the community of Bulawayo. It's a bold and pioneering move in the current climate of political uncertainty there. We wanted to go against the grain and do the opposite of what everyone else is doing. After that we hope to return to North America and gain some more ground there. It's scary because I'm leaving everything that's comfortable. I know there are thousands of others out there trying to do what we're trying to do but I'm comfortable with it. I can't see myself doing anything else. Jason and I wrote a song together called "99" and it describes that feeling in the lyrics, "I SEE THIS AS DESTINY… I SEE THIS WRITTEN ALL OVER ME." 

    As I sit on my fuzzy chair sipping my tea I listen to Esjay, now singing again from the vocal booth. A couple of lines keep repeating in my head, "Days turn to night…to the echo..to the echo..to the echo…forever…forever." It seems to me that this life of touring and studios, singing the sun down and long into the night, the endlessly repeating cycle of writing, recording, gigging and touring is Esjay… forever.

    ­­­­________

     

    For information on Stealing Love Jones, including music, tour dates, management and booking info, check out WWW.STEALINGLOVEJONES.COM or WWW.MYSPACE.COM/LOVEJONESBAND

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  • Tim Pepper Update

    Ok Friends, Casual Readers and Everyone Else

     

    So I started a journey in November 2006. The journey of 'making it' so to speak in the music industry. My goal is simple: I want to make a living doing what i love. I've never really wanted fame (though I guess I wouldn't mind) or tons of money (though I'm sure I wouldn't mind). I just love music and writing a song is one of the most fulfilling things i've ever done. I love to sing and to play the guitar. When I was teaching I used to wake up full of dread. Maybe I'm a wimp but I couldn't live like that any more. I decided something had to change so I changed it.

     

    So here I am 5 months later... How is it all going?

    It's an incredible journey. Sometimes it's a roller coaster emotionally. Gigs are hard to get which means money is tight and some days I feel like giving up and getting a 'real job'. But then I hang in for another day or two and I meet an influential person or I get a gig or something and it all seems ok.

    I'm learning that the goal isn't some big 'break' that suddenly transforms me from small-time artist to big-time star. The goal is to make small steps every day. Every day get a little better at songwriting. Everyday get a little better at performing. Everyday get a little better as a guitarists. Every day get a little better as a PR officer. Everyday meet one new person. Everyday make one new phone call. Everyday  manage my time a little better. Everyday transform myself just a little bit. Those little everyday things make sure that i make a little progress each day and get a little closer to my goal. The 'big break' is made up of tens or maybe  hundreds or maybe thousands of little breaks and every little break counts. Every little break should be celebrated because each one takes me closer to where i want to be.

    The hardest thing is to sustain belief in yourself. If I were trying to do this without support it would be near impossible. Luckily I have a family that believes in me. I have a girlfriend that believes in me. I have friends that believe in me. Never underestimate the power of a great family. The things that made me roll my eyes and cringe as a teenager are the things I'm really gratefull for now. The embarassing family that would always seem to get in the way are the most important part of my formula now. I really don't know if I could continue without them. I'm sure success would be all the more elusive without them. Besides what would be the point of success if i had no family to share that with?

    I'm learning the importance of community... When I read accounts of Eric Clapton and Jimmy Page, Crosby, Stills, Nash and Young, Jimmy Hendrix and Bob Dylan, Pete Townshend and  and and... it seems to me that these guys respected each other and played a lot of the same gigs and may not have been best of friends but were part of a community of musicians that by it's very existence assisted each member of the community. The community created a force to be reckoned with, increased visibility and gave each member an aura that fans stood in awe of. Sadly this community is hard to find these days. Everyone is out to get theirs and they don't really care what's happening with everyone else. There's no great jam-sessions, there's no bashes where hundreds of musicians just show up and do their thing, there's sadly very little association between musos at all. So one thing I do is try to cultivate that spirit and attitude. You scratch mine and I'll scratch yours makes sense to me but it seems to have been forgotten somewhere along the continuum from grade school to the present.

    I'm taking to musicians, producers, artist managers, booking agents, restauranteurs, and PR people. I'm hanging out with drug addicts and drug pushers (occassionally), rock stars and other colourful people. I'm playing my music in places I never knew existed. I'm playing my music more often and getting paid to do it! I'm waking up in the mornings without dread. I'm learning more about who I am. I guess the great thing about all this is that I have grabbed the tree of my life and I'm shaking the shit out of it. I'm doing new things and I'm learning new things. I want to keep shaking and keep learning. Life is exciting and unpredictable. So I haven't made it yet but I'm living a life that is fabulous and I guess it's going great.

    So here's to the journey...

    Tim Pepper

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